In her approaches to Mohawk, The Risk Pool, Nobody's Fool, Empire Falls, and Bridge of Sighs, Drowne traces the primary recurring concern of Russo's work: the plight of deteriorating rural communities and the dramatic impact of that decline on their blue-collar inhabitants and families. Russo's characters have jobs, not careers, and Russo's family relationships are not just nuclear, but multigenerational. Drowne shows that in such a web of powerlessness and attachment Russo explores relationships between emotionally scarred sons and their abusive, absent, or neglectful fathers as well as the frustrated relationships with mothers who yearn for their sons to turn out differently than their fathers.
Drowne also highlights Russo's talent for realistic but highly eccentric characters-worn-out construction workers and odd-jobbers, barflies, has-beens, and ne'er-do-wells-whose lives are emblematic of both the dignity and the desperation of crumbling Rust Belt towns. And out of his melancholic surroundings and struggling characters, Drowne shows how Russo consistently reveals a remarkable, literate humor. Her study offers readers an insightful point of entry into one of America's finest contemporary comic writers, a so-called bard of the working class and a chronicler of small-town America.
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