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This book offers the analysis of a selection of North American texts that dismantle and resist normative frames through the resignification of concepts such as unhappiness, precarity, failure, and vulnerability. The chapters bring to the fore how those potentially negative elements can be refigured as ambivalent sites of resistance and social bonding. Following Sara Ahmed's rereading of happiness, other authors such as Judith Butler, Wendy Brown, Jack Halberstam, Lauren Berlant, or Henry Giroux are mobilized to interrogate films, memoirs, and novels that deal with precarity, alienation, and…mehr

Produktbeschreibung
This book offers the analysis of a selection of North American texts that dismantle and resist normative frames through the resignification of concepts such as unhappiness, precarity, failure, and vulnerability. The chapters bring to the fore how those potentially negative elements can be refigured as ambivalent sites of resistance and social bonding. Following Sara Ahmed's rereading of happiness, other authors such as Judith Butler, Wendy Brown, Jack Halberstam, Lauren Berlant, or Henry Giroux are mobilized to interrogate films, memoirs, and novels that deal with precarity, alienation, and inequality. The monograph contributes to enlarging the archives of unhappiness by changing the focus from prescribed norms and happy endings to unruly practices and unhappy beginnings. As the different contributors show, unhappiness, precarity, vulnerability, or failure can be harnessed to illuminate ways of navigating the world and framing society that do not necessarily conform to the script of happiness-whatever that means.


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Autorenporträt
Isabel González-Díaz is a PhD lecturer at the University of La Laguna, where she teaches US literature. Her research interests include gender, literature, and cultural studies, with a special focus on life narratives. She has published various articles on life writing and gender, on feminism and cultural studies, and on transgender narratives. Fabián Orán-Llarena is a PhD lecturer at the University of La Laguna. His research interests include cultural studies and film studies, with a special focus on contemporary US film and its representation of the politics and history of neoliberalism, the rise of right-wing populism, and the post-9/11 context.