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When more than half of the Earth population lives in cities, and living conditions worldwide suffer from a steady increase in environmental issues, historical inquiry provides useful reflections and new perspectives on the present. Urban Narratives about Nature: Socio-Ecological Imaginaries between Science and Entertainment aims at generating specific historical knowledge concerning processes of production, circulation, and management of natural history narratives and the associated struggles for meaning within the socio-ecological relations involved. The city is a powerful storyteller, and…mehr
When more than half of the Earth population lives in cities, and living conditions worldwide suffer from a steady increase in environmental issues, historical inquiry provides useful reflections and new perspectives on the present. Urban Narratives about Nature: Socio-Ecological Imaginaries between Science and Entertainment aims at generating specific historical knowledge concerning processes of production, circulation, and management of natural history narratives and the associated struggles for meaning within the socio-ecological relations involved. The city is a powerful storyteller, and this book, upon a relational perspective, provides a diverse and interrelated collection of case studies of urban-based production and circulation of narratives about nature. Altogether, these cases probe the complex relationships among scientific authority, public awareness, policymaking, corporate and political interests, and environmental advocacy, in effect expanding the interdisciplinary linking of urban and environmental history within a global history view.
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Autorenporträt
Carlos Tabernero is associate professor at the Institut d'Història de la Ciència (iHC) of Universtat Autònoma de Barcelona.
Inhaltsangabe
Acknowledgments Introduction: Narrating Nature from the City Part I: Between Academia and Activism Chapter 1: Miquel Crusafont and Sabadell: Narratives about Paleontology (Spain, 1950?1973) Chapter 2: Environmentalism in Transition Part II: Between Knowledge and Entertainment Chapter 3: Wild at Heart: Zoological Gardens and the Urban Space Chapter 4: Mass Media and Urban Animals in History: The View from Interwar Britain Chapter 5: Teaching and Tinkering with Personal Computers in Catalan Rural Schools and Summer Camps (Spain, 1980s?1990s) Part III: Between Film and Literature Chapter 6: The Countryside in the Frame: Film Representations of Nature under Franco's Dictatorship Chapter 7: Hunting Narratives in Twentieth-Century Spain: The Case of Miquel Delibes Chapter 8: From El Modena to Terminator: Imagining Green Utopian Places for the Anthropocene Part IV: Between Natural History and Television Chapter 9: Percy Smith: The Triple Liminality of an Urban Natural History Filmmaker in Interwar Britain Chapter 10: The Granada TV and Film Unit at the London Zoo: "Creating Adequate Opportunity for Observing Patterns for Amateur and Professional Zoologists Alike" Chapter 11: Televising Nature as Modernization: El Hombre y la Tierra (Man and the Earth, 1974?1981) in 1970s Spain Afterword: City of Silence, City of Stories: Or of Ghosts, Doors, and Subversion About the Contributors
Acknowledgments Introduction: Narrating Nature from the City Part I: Between Academia and Activism Chapter 1: Miquel Crusafont and Sabadell: Narratives about Paleontology (Spain, 1950?1973) Chapter 2: Environmentalism in Transition Part II: Between Knowledge and Entertainment Chapter 3: Wild at Heart: Zoological Gardens and the Urban Space Chapter 4: Mass Media and Urban Animals in History: The View from Interwar Britain Chapter 5: Teaching and Tinkering with Personal Computers in Catalan Rural Schools and Summer Camps (Spain, 1980s?1990s) Part III: Between Film and Literature Chapter 6: The Countryside in the Frame: Film Representations of Nature under Franco's Dictatorship Chapter 7: Hunting Narratives in Twentieth-Century Spain: The Case of Miquel Delibes Chapter 8: From El Modena to Terminator: Imagining Green Utopian Places for the Anthropocene Part IV: Between Natural History and Television Chapter 9: Percy Smith: The Triple Liminality of an Urban Natural History Filmmaker in Interwar Britain Chapter 10: The Granada TV and Film Unit at the London Zoo: "Creating Adequate Opportunity for Observing Patterns for Amateur and Professional Zoologists Alike" Chapter 11: Televising Nature as Modernization: El Hombre y la Tierra (Man and the Earth, 1974?1981) in 1970s Spain Afterword: City of Silence, City of Stories: Or of Ghosts, Doors, and Subversion About the Contributors
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