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In Victorian Poetry: Poetry, Poetics and Politics , Isobel Armstrong rescued Victorian poetry from its longstanding sepia image as 'a moralised form of romantic verse' and unearthed its often subversive critique of nineteenth-century culture and politics. In this uniquely comprehensive and theoretically astute new edition, Armstrong provides an entirely new preface that notes the key advances in the criticism of Victorian poetry since her classic work was first published in 1993. A new chapter on the alternative fin de siècle sees Armstrong discuss Michael Field, Rudyard Kipling, Alice Meynell…mehr
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- Produktdetails
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 570
- Erscheinungstermin: 30. Januar 2019
- Englisch
- ISBN-13: 9781317688815
- Artikelnr.: 55138908
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 570
- Erscheinungstermin: 30. Januar 2019
- Englisch
- ISBN-13: 9781317688815
- Artikelnr.: 55138908
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Introduction: Re-Reading Victorian Poetry Part 1: Conservative and
Benthamite aesthetics of the avant-garde: Tennyson and Browning in the
1830s 1. Two systems of concentric circles 2. Experiments of 1830: Tennyson
and the formation of subversive conservative poetry 3. 1832: Critique of
the poetry of sensation 4. Experiments in the 1830s: Browning and the
Benthamite formation 5. The politics of dramatic form Part 2: Mid-century:
European revolution and Crimean War - democratic, liberal, radical and
feminine voices 6. Individualism under pressure 7. The radical in crisis:
Clough 8. The liberal in crisis: Arnold 9. A new radical aesthetic - the
Grotesque as cultural critique: Morris 10. Tennyson in the 1850s: new
experiments in conservative poetry and the Type 11. Browning in the 1850s
and after: new experiments in radical poetry and the Grotesque 12. 'A music
of thine own': women's poetry - an expressive tradition? Part 3: Another
culture? Another poetics? Introduction: the 1860s and after: aesthetics,
language, power and high finance 13. Swinburne: agonistic republican - the
poetry of sensation as democratic critique 14. Hopkins: agonistic
reactionary - the Grotesque as conservative form 15. Meredith and others:
hard, gem-like dissidence 16. James Thomson: atheist, blasphemer and
anarchist - the Grotesque sublime 17. Alternative fin de siecles: Rudyard
Kipling, Michael Field, Thomas Hardy and Alice Meynell Notes Indicative
bibliography
Introduction: Re-Reading Victorian Poetry Part 1: Conservative and
Benthamite aesthetics of the avant-garde: Tennyson and Browning in the
1830s 1. Two systems of concentric circles 2. Experiments of 1830: Tennyson
and the formation of subversive conservative poetry 3. 1832: Critique of
the poetry of sensation 4. Experiments in the 1830s: Browning and the
Benthamite formation 5. The politics of dramatic form Part 2: Mid-century:
European revolution and Crimean War - democratic, liberal, radical and
feminine voices 6. Individualism under pressure 7. The radical in crisis:
Clough 8. The liberal in crisis: Arnold 9. A new radical aesthetic - the
Grotesque as cultural critique: Morris 10. Tennyson in the 1850s: new
experiments in conservative poetry and the Type 11. Browning in the 1850s
and after: new experiments in radical poetry and the Grotesque 12. 'A music
of thine own': women's poetry - an expressive tradition? Part 3: Another
culture? Another poetics? Introduction: the 1860s and after: aesthetics,
language, power and high finance 13. Swinburne: agonistic republican - the
poetry of sensation as democratic critique 14. Hopkins: agonistic
reactionary - the Grotesque as conservative form 15. Meredith and others:
hard, gem-like dissidence 16. James Thomson: atheist, blasphemer and
anarchist - the Grotesque sublime 17. Alternative fin de siecles: Rudyard
Kipling, Michael Field, Thomas Hardy and Alice Meynell Notes Indicative
bibliography