Viral Dramaturgies (eBook, PDF)
HIV and AIDS in Performance in the Twenty-First Century
Redaktion: Campbell, Alyson; Gindt, Dirk
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Viral Dramaturgies (eBook, PDF)
HIV and AIDS in Performance in the Twenty-First Century
Redaktion: Campbell, Alyson; Gindt, Dirk
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Offers an international perspective on how HIV and AIDS has affected twenty-first century performance Brings together a variety of voices to provide an astonishing range of contexts and perspectives Shows how performance can respond and intervene in a public and political health crisis
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- Größe: 7.68MB
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Offers an international perspective on how HIV and AIDS has affected twenty-first century performance
Brings together a variety of voices to provide an astonishing range of contexts and perspectives
Shows how performance can respond and intervene in a public and political health crisis
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Springer International Publishing
- Seitenzahl: 417
- Erscheinungstermin: 20. März 2018
- Englisch
- ISBN-13: 9783319703176
- Artikelnr.: 52995413
- Verlag: Springer International Publishing
- Seitenzahl: 417
- Erscheinungstermin: 20. März 2018
- Englisch
- ISBN-13: 9783319703176
- Artikelnr.: 52995413
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Alyson Campbell is Associate Professor in Theatre at the Victorian College of the Arts, University of Melbourne, Australia, and is a theatre director and dramaturg. Dirk Gindt is Associate Professor in the Department of Culture and Aesthetics at Stockholm University, Sweden, and has a PhD in Theatre Studies.
1. Alyson Campbell and Dirk Gindt: Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century.- 2. Alyson Campbell: GL RY-A (w)hole Lot of Woman Trouble: HIV Dramaturgies and Feral Pedagogies.- 3. Janelle Fawkes and Elena Jeffreys: Staging Decriminalisation: Sex Worker Performance and HIV.- 4. Katharine Low, Matilda Mudyavanhu and Shema Tariq: 'The Press / Supress / Our stories of happiness / They choose to define us / As "suffering headliners"': Theatre-Making with Women Living with HIV.- 5. Peter Dickinson: 'Still (Mighty) Real': HIV and AIDS, Queer Public Memories and the Intergenerational Drag Hail.- 6. Marc Arthur: AIDS Memorialisation: A Biomedical Performance.- 7. Stephen Farrier: Re-membering AIDS, Dis-membering Form.- 8. Jayson A. Morrison: Finding 'creative rebellious gay boys' in the US AIDS Archive and Repertoire with the Aid of Bakhtinian Centrifugal Tendencies.- 9. Virginia Anderson: Performing Interventions: The Politics and Theatre of China's AIDS Crisis in the Early Twenty-First Century.- 10. Sarahleigh Castelyn: Choreographing HIV and AIDS in Contemporary Dance in South Africa.- 11. Dirk Gindt: National Performances of Crying: Neoliberal Sentimentality and the Cultural Commodification of HIV and AIDS in Sweden.- 12. Ola Johansson: Prefigurative Performance in American and African AIDS Activism.- 13. Jacqueline Kauli: Awareness Community Theatre: A Local Response to HIV and AIDS in Papua New Guinea.- 14. Ivan Bujan: Blue Is, Blue Does: A Performance about Truvada in Several Interactions.- 15. Sky Gilbert: AIDS Theatre in a 'Post-AIDS' Era: Reflections on My Recent Plays.- 16. Alyson Campbell and Jonathan Graffam: Blood, Shame, Resilience and Hope: Indigenous Theatre Maker Jacob Boehme's Blood on the Dance Floor.- 17. Alberto Sandoval-Sánchez: The Lazarus Effect: El SIDA/AIDS and Belated Mourning in Puerto Rican Theatre.- 18. Alyson Campbell and DirkGindt: Interview with Sarah Schulman: Corporate Culture, HIV Criminalisation, Historicising AIDS and the Role of Women in ACT UP.- Notes on Contributors.
1. Alyson Campbell and Dirk Gindt: Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century.- 2. Alyson Campbell: GL RY-A (w)hole Lot of Woman Trouble: HIV Dramaturgies and Feral Pedagogies.- 3. Janelle Fawkes and Elena Jeffreys: Staging Decriminalisation: Sex Worker Performance and HIV.- 4. Katharine Low, Matilda Mudyavanhu and Shema Tariq: 'The Press / Supress / Our stories of happiness / They choose to define us / As "suffering headliners"': Theatre-Making with Women Living with HIV.- 5. Peter Dickinson: 'Still (Mighty) Real': HIV and AIDS, Queer Public Memories and the Intergenerational Drag Hail.- 6. Marc Arthur: AIDS Memorialisation: A Biomedical Performance.- 7. Stephen Farrier: Re-membering AIDS, Dis-membering Form.- 8. Jayson A. Morrison: Finding 'creative rebellious gay boys' in the US AIDS Archive and Repertoire with the Aid of Bakhtinian Centrifugal Tendencies.- 9. Virginia Anderson: Performing Interventions: The Politics and Theatre of China's AIDS Crisis in the Early Twenty-First Century.- 10. Sarahleigh Castelyn: Choreographing HIV and AIDS in Contemporary Dance in South Africa.- 11. Dirk Gindt: National Performances of Crying: Neoliberal Sentimentality and the Cultural Commodification of HIV and AIDS in Sweden.- 12. Ola Johansson: Prefigurative Performance in American and African AIDS Activism.- 13. Jacqueline Kauli: Awareness Community Theatre: A Local Response to HIV and AIDS in Papua New Guinea.- 14. Ivan Bujan: Blue Is, Blue Does: A Performance about Truvada in Several Interactions.- 15. Sky Gilbert: AIDS Theatre in a 'Post-AIDS' Era: Reflections on My Recent Plays.- 16. Alyson Campbell and Jonathan Graffam: Blood, Shame, Resilience and Hope: Indigenous Theatre Maker Jacob Boehme's Blood on the Dance Floor.- 17. Alberto Sandoval-Sánchez: The Lazarus Effect: El SIDA/AIDS and Belated Mourning in Puerto Rican Theatre.- 18. Alyson Campbell and DirkGindt: Interview with Sarah Schulman: Corporate Culture, HIV Criminalisation, Historicising AIDS and the Role of Women in ACT UP.- Notes on Contributors.







