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Wading in the River offers a poetic voice about the wonders of the world in the context of daily struggles with marginality and discloses the agency of cultural actors in them. The collection's poems tell a story of longing and loss, injustice and resilience, terror and beauty, anguish and hope for society. Wading in the River offers readers the subject matter that enjoins personal experience to public life and puts a human face on abstractions like justice, poverty, racism, anti-immigrant sentiment, police brutality, politics, and religion. In these poems, words seek to cut through the…mehr
Wading in the River offers a poetic voice about the wonders of the world in the context of daily struggles with marginality and discloses the agency of cultural actors in them. The collection's poems tell a story of longing and loss, injustice and resilience, terror and beauty, anguish and hope for society. Wading in the River offers readers the subject matter that enjoins personal experience to public life and puts a human face on abstractions like justice, poverty, racism, anti-immigrant sentiment, police brutality, politics, and religion. In these poems, words seek to cut through the complexity of perception to expansively loosen a new way to find visionary clarity and to think passionately about dark spaces in social reality.
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Autorenporträt
Harold J. Recinos is professor of church and society at the Perkins School of Theology at Southern Methodist University. A cultural anthropologist, he specializes in work and ethnographic writing dealing with undocumented Central American migrants and the Salvadoran diaspora. He has published numerous articles, chapters in collections, and written major works in theology and culture, including ten collections of poetry. Recently, his new collection of poetry was released, titled No Room (Wipf & Stock, 2020). Recinos's poetry has been featured in Anglican Theological Review, Weavings, Sojourners, Anabaptist Witness, The Arts, Afro-Hispanic Review, and Perspective, among others.
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