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At the beginning of the twentieth century, Jewish immigrants upended Protestant control of vaudeville and the silent film industry. This book rejects the commonly held explanations for this shift: Jewish commercial acumen and their desire to assimilate. Instead, this book argues that the "pleasure principle"-a positive view of bodily pleasures and sexuality that Jewish immigrants held --gave rise to the role of Jewish influence on popular culture, an influence still felt today. After discussing the pivotal ascendancy of Jews in vaudeville and silent films, Cherry explores the important role…mehr
At the beginning of the twentieth century, Jewish immigrants upended Protestant control of vaudeville and the silent film industry. This book rejects the commonly held explanations for this shift: Jewish commercial acumen and their desire to assimilate. Instead, this book argues that the "pleasure principle"-a positive view of bodily pleasures and sexuality that Jewish immigrants held --gave rise to the role of Jewish influence on popular culture, an influence still felt today. After discussing the pivotal ascendancy of Jews in vaudeville and silent films, Cherry explores the important role that Jewish performers and middlemen played in the evolution of popular culture throughout the century, from stage and the big screen to radio, television, and the music industry. He concludes with a broader discussion of Jewish values that helps explain the continued outsized role that Jews continue to play in American popular culture.
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Autorenporträt
Robert Cherry, recently retired professor of economics at Brooklyn College and CUNY Graduate Center, contributes to The Forward, The Jerusalem Post, Israel Studies, and Contemporary Jewry. He has written dozens of articles and four books on discrimination, and has written extensively on the American Jewish community and the Holocaust. He is the author of Who Gets the Good Jobs? Combating Race and Gender Earnings Disparities, Prosperity for All? The Economic Boom and African Americans, Discrimination: Its Economic Impact on Blacks, Women, and Jews, and The Imperiled Economy: Macroeconomics from a Left Perspective.
Inhaltsangabe
Preface Introduction: Jewish Values and Popular Culture Chapter 1 Contrasting Immigrant Religious Beliefs Chapter 2 Irish Catholic Immigrants and Wholesome Vaudeville Chapter 3 Jewish Vaudeville Ascendancy Chapter 4 Jewish Influence during the Silent Film Era Chapter 5 The 1930s Movie Moguls: Louis B. Mayer and Warner Brothers Chapter 6 The Jewish Community and Black Music Chapter 7 The Jewish Role in the Rise of the Broadway Musical Chapter 8 Jewish Jazz Performers and Middlemen Chapter 9 Radio and Early Television: Jewish Owners, Comedy Writers, and Vaudevillians Chapter 10 The Postwar Period Chapter 11 The Origins of Jewish Views on Bodily Pleasure Notes Index About the Author
Preface Introduction: Jewish Values and Popular Culture Chapter 1 Contrasting Immigrant Religious Beliefs Chapter 2 Irish Catholic Immigrants and Wholesome Vaudeville Chapter 3 Jewish Vaudeville Ascendancy Chapter 4 Jewish Influence during the Silent Film Era Chapter 5 The 1930s Movie Moguls: Louis B. Mayer and Warner Brothers Chapter 6 The Jewish Community and Black Music Chapter 7 The Jewish Role in the Rise of the Broadway Musical Chapter 8 Jewish Jazz Performers and Middlemen Chapter 9 Radio and Early Television: Jewish Owners, Comedy Writers, and Vaudevillians Chapter 10 The Postwar Period Chapter 11 The Origins of Jewish Views on Bodily Pleasure Notes Index About the Author
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