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"An analytical study of sexual depravity" and "an epic of vice" were two of the critical expressions which greeted the publication of "Women in Love". Yet Lawrence regarded this novel as his best book and F. R. Leavis considered it Lawrence's supreme masterpiece. The novel tells of the relationships of two sisters, Ursula and Gudrun, who live in a Midland colliery town in the years before the First World War. Ursula falls in love with Birkin (a thinly disguised portrait of Lawrence himself) and Gudrun has an intense but tragic affair with Gerald, the son of a local colliery owner.

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Produktbeschreibung
"An analytical study of sexual depravity" and "an epic of vice" were two of the critical expressions which greeted the publication of "Women in Love". Yet Lawrence regarded this novel as his best book and F. R. Leavis considered it Lawrence's supreme masterpiece. The novel tells of the relationships of two sisters, Ursula and Gudrun, who live in a Midland colliery town in the years before the First World War. Ursula falls in love with Birkin (a thinly disguised portrait of Lawrence himself) and Gudrun has an intense but tragic affair with Gerald, the son of a local colliery owner.

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Autorenporträt
David Herbert Richards Lawrence was an English writer of the 20th century, whose prolific and diverse output included novels, short stories, poems, plays, essays, travel books, paintings, translations, literary criticism and personal letters. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, human sexuality and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage." At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel. He is now generally valued as a visionary thinker and a significant representative of modernism in English literature.