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«Perhaps more rigorously than many previous studies, Raffaele De Benedictis' book succeeds in capturing the novelty of Dante's discourse. Basing himself on seminal theories of allegory as a discourse that overlaps with hermeneutics and calls into question the role of the reader, De Benedictis,in this splendid work that combines scholarship and a sense of complexity of literary texts, has written an excellent, exciting study of medieval semiotics.» (Giuseppe Mazzotta, Yale University)
«Raffaele De Benedictis chooses to interpret and understand Dante's work by submitting it to the filter of the semiotics of discourse. Heuristic and hermeneutic effects of the contemporary semiotic approach appear here so fully. It is not the semiotics of discourse that imposes rules and structures on Dante's work, but the reverse occurs: artwork appears in all its innovative strength and in the creative power with which it imposes its law on the analysis grid. This is a great analysis, where the reader, installed at the heart of the work, witnesses the implementation of all cognitive and emotive requests addressed to him/her.» (Jacques Fontanille, University of Limoges, Institut Universitaire de France)