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This stimulating workbook is aimed at committed writers and students of creative writing who want to engage with ideas about writing and develop their craft and practice. Drawing on the expertise of a range of professional and award-winning contributors, the focus is on writing as 'process', moving from practical guidance on 'form and style' through to using themes such as 'body' or 'house' as a creative springboard. Including specially designed writing exercises and illustrative extracts, this innovative guide will inspire and challenge. It is an essential resource for anyone who wishes to…mehr
This stimulating workbook is aimed at committed writers and students of creative writing who want to engage with ideas about writing and develop their craft and practice. Drawing on the expertise of a range of professional and award-winning contributors, the focus is on writing as 'process', moving from practical guidance on 'form and style' through to using themes such as 'body' or 'house' as a creative springboard. Including specially designed writing exercises and illustrative extracts, this innovative guide will inspire and challenge. It is an essential resource for anyone who wishes to master the art and practice of creative writing and galvanise their talent to professional and publication level.
Contributions by: Linda Anderson, Theodore Deppe, George Green, Graeme Harper (aka Brooke Biaz), William Herbert, Lee Martin, Jenny Newman, Jayne Steel and a Foreword by Patricia Duncker.
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Autorenporträt
JAYNE STEEL is Lecturer in English and Creative Writing at Lancaster University, UK. She is also an award-winning screenwriter, her work includes Mavis and the Mermaid (winner of 'Kodak Showcase for New European Talent' 2000 and the 'Special Gold Jury Award' at the 2001 WorldFest-Houston International Film Festival), Mermaids and Money Troubles (winner of the 1999 'Carlton Television New Screenwriters Award') and the co-written feature film Frozen which was screened at the 2005 London Film Festival.
Inhaltsangabe
Foreword; P.Duncker Preface Acknowledgements Notes on the Contributors Introduction; J.Steel PART ONE: MASTERING TECHNIQUE Creative Space; W.N.Herbert Form and Style: Grasping the Tools of Fiction; G.Harper; Hanging Together Structuring the Longer Piece; G.Green Making Fiction from Fact, Making Fact of Your Fiction; G.Harper Narrative Point of View: Who Tells the Story?; L.Anderson The Journey a Poem Makes; T.Deppe PART TWO: MASTERING THEMES About a Life: Writing from the Self; G.Green People Under Pressure: Making Your Characters Choose; J.Newman Writing Food; J.Steel Children in Fiction; L.Martin Writing Home: How to Use Houses in Fiction J.Newman; Bodily States; L.Anderson Writing the Landscape; L.Martin Index.
Foreword; P.Duncker Preface Acknowledgements Notes on the Contributors Introduction; J.Steel PART ONE: MASTERING TECHNIQUE Creative Space; W.N.Herbert Form and Style: Grasping the Tools of Fiction; G.Harper; Hanging Together Structuring the Longer Piece; G.Green Making Fiction from Fact, Making Fact of Your Fiction; G.Harper Narrative Point of View: Who Tells the Story?; L.Anderson The Journey a Poem Makes; T.Deppe PART TWO: MASTERING THEMES About a Life: Writing from the Self; G.Green People Under Pressure: Making Your Characters Choose; J.Newman Writing Food; J.Steel Children in Fiction; L.Martin Writing Home: How to Use Houses in Fiction J.Newman; Bodily States; L.Anderson Writing the Landscape; L.Martin Index.
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