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A NEW YORK TIMES BEST POETRY BOOK OF 2018 A transfiguration of Mennonite hymns into heartbreaking lyric poems, Years, Months, and Days is a moving "meditation on the possibility of translation." Bridging secular spirituality and holy reverence with the commonalities of life, death, love, and hope, Jernigan explores the connection between hymn and poem, recalling the spare beauty of Marilynne Robinson's novels or the poems of Jan Zwicky and Robert Bringhurst. The sparse and tender phrasing of Years, Months, and Days is "an offering of words to music," made in the spirit of a shared…mehr
A transfiguration of Mennonite hymns into heartbreaking lyric poems, Years, Months, and Days is a moving "meditation on the possibility of translation." Bridging secular spirituality and holy reverence with the commonalities of life, death, love, and hope, Jernigan explores the connection between hymn and poem, recalling the spare beauty of Marilynne Robinson's novels or the poems of Jan Zwicky and Robert Bringhurst. The sparse and tender phrasing of Years, Months, and Days is "an offering of words to music," made in the spirit of a shared love-for life, for a particular landscape and its rhythms-that animates poem and prayer alike.
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Autorenporträt
Amanda Jernigan is the author of two previous collections of poems, Groundwork and All the Daylight Hours, and of the chapbook The Temple, published by Baseline Press in 2018. Her poems have appeared in Poetry, Parnassus, PN Review, The Dark Horse, Atlanta Review, and The Nation, as well as in numerous Canadian literaries, and have been set to music, most recently by Zachary Wadsworth and Colin Labadie. She is an essayist and editor as well as a poet, and has written for the stage.
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