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-Publishers Weekly (starred review)
"Chris Pavone has always been good, but this novel is way better than good. The kind of novel that wins book awards. Cynical, tender, sharp, dense, funny, and loaded with inside dope about how New York works (and how it doesn't). The Doorman is a Bonfire of the Vanities for the 21st century. He gives it to both sides of the culture wars, and with both smoking barrels."
-Stephen King
"The Doorman is a near-perfect blend of clever plotting, wicked social commentary, irresistible setting, truly memorable characters, and old-fashioned, page-turning fun. What a romp!"
-John Grisham
"The Doorman pits the privileged gentry of Manhattan against the serfs they fear will breach their moats and scale the walls of their high rise co-ops. Pavone's depiction of present day New York City is a callback to Bonfire of the Vanities, but his telling is too real to be satirical."
-Griffin Dunne, author of The Friday Afternoon Club
"A tense, pulse-pounding thriller!"
-S. A. Cosby, author of King of Ashes
"Sensationally good, wise, wry, and perceptive-this era's great state-of-the-city novel, up there with the very best of Tom Wolfe and Jay McInerney."
-Lee Child, #1 New York Times bestselling author of the Jack Reacher novels
"Smart, twisty, and sharply written, The Doorman is hard to put down and harder to forget. A delight."
-Karin Slaughter, New York Times and #1 international bestselling author of This Is Why We Lied
"Like the New York City subway, Chris Pavone's novel moves at breakneck speed, twisting and turning, jostling together those who might otherwise live worlds apart, intertwining their secrets, their private heartaches, and their fates as The Doorman hurtles to its shocking conclusion."
-Jenny Jackson, New York Times bestselling author of Pineapple Street
"Chris Pavone swings big with The Doorman, a wise, expansive, and extravagantly readable thriller that keeps us guessing until the last page. A searing and hilarious social satire, The Doorman unflinchingly takes on New York in this moment-class, race, social justice-with an eye as wicked as it is compassionate."
-Maria Semple, author of Where'd You Go, Bernadette
"In this superb novel, Chris Pavone artfully blends the murk and glitter of Manhattan, both rich and poor, into one combustible tale of greed, lust, and crime. An irresistible read that captures, in personal terms, this terribly fraught moment in our nation's cultural politics."
-Ron Chernow, author of Alexander Hamilton