August Strindberg

The German lieutenant and other stories (MP3-Download)

Ungekürzte Lesung. 275 Min.
Sprecher: Spera, Paul

• Hörbuch-Download MP3

Produktbeschreibung

August Strindberg belongs to the same generation of authors as the Russian Chekhov and the Norwegian Ibsen. Strindberg stands at the crossroads of such decisive influences as those of Schopenhauer, Nietzsche, Kierkegaard, Schiller, Zola, Byron, or Freud's precursors such as Bernheim. He absorbed the aesthetic trends of his time, particularly naturalism. He is also a virtuoso painter, closely related to Edward Munch. All his writings bear witness to his life and bear the traces of his crises, his struggles, his revolts against a society of rigid conformism. Through his struggles, he extracts from himself a dark work that explores the distress of modern man. Kafka, the expressionists, and many contemporary authors strongly claim his legacy. Franz Kafka: "I feel better because I read Strindberg. I don't read him to read him, but to snuggle up to his chest... The huge Strindberg. This rage, these pages won with the strength of the fist... " Four of his short stories are presented in this audiobook : The German Lieutenant; Unwelcome; Over-refinement; Paul & Peter.

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Produktdetails

• Verlag: SAGA Egmont
• Erscheinungstermin: 8. Februar 2021
• Sprache: Englisch
• ISBN-13: 9782821116252
• Artikelnr.: 61154034

Autorenporträt

Johan August Strindberg was a Swedish dramatist, novelist, poet, essayist, and painter. During his four-decade career, Strindberg created more than sixty plays and over thirty books of fiction, autobiography, history, cultural analysis, and politics, frequently drawing directly on his own experiences. He was a daring innovator and iconoclast who experimented with a variety of dramatic methods and objectives, including naturalistic tragedy, monodrama, and history plays, as well as his foreshadowing of expressionist and surrealist theatrical tactics. Strindberg pioneered new approaches to dramatic action, vocabulary, and visual composition beginning with his early work. In 1872, the Royal Theatre rejected his first major play, Master Olof; it was not until 1881, at the age of thirty-two, that its premiere at the New Theatre provided him with his theatrical breakthrough. In his plays The Father (1887), Miss Julie (1888), and Creditors (1889), he created naturalistic dramas that - building on the established accomplishments of Henrik Ibsen's prose problem plays while rejecting their use of the structure of the well-made play - responded to Emile Zola's manifesto "Naturalism in the Theatre" (1881) and the example set by André Antoine's newly established Théâtre Libre (opened 1887).